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Australian Sound Design Project
Work
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5000 Calls - Prime Installation (2000 - )Five Thousand Calls - Prime Installation |
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| Outdoor Installation and Permanent Installation | |||
| Location: Sydney Olympic Park, Homebush Bay, NSW, Australia | |||
| Installation by David Chesworth & Sonia Leber |
Details | |
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5000 Calls is a large-scale multi-channel sound installation installed throughout the Urban Forest, an extensive 4.5 hectare loose grid of eucalyptus trees surrounding the Stadium Australia in Sydney. Commissioned by the Sydney Olympic Park Public Art Program to be part of the permanent built environment, it can be heard daily during daylight hours. The ever-changing soundscape utilises 5000 'charged' human vocalisations uncovered from everyday life: the sighs, gasps and groans of work, pleasure, sport, song and struggle. The 'sense' of speech has been removed from these everyday recordings to reveal a 'soundscape of human effort'. Our fascination lies in the non-speech aspects of voice, particularly in the vocalisations of people in extreme physical states. The installation is designed as an ever-changing 'crowd system' where the many fragments of vocalisations are programmed to interact with each other in different ways, at different times. A customised delivery system is programmed to distribute sound in ever-changing ways to 80 loudspeakers mounted throughout the site. NAWIC 2000 Arup Award for Achievement in Design "Remarkable" "Public art too often devolves into compromised cliché as vested interests 'negotiate' the outcome. 5000 Calls survives this process and demonstrates a role for new media arts in this area." "5000 Calls...comes as a complete surprise both in its functioning and in what it says about the inclusive possibilities for the creation of public art in highly visible venues... It utterly transgresses presumptions of the monumental generally associated with privileged outdoor sites... 5000 Calls literally haunts the site, blurring the delineation of public and private, presence and absence, celebration and distress." "5000 Calls is at once the most evocative and evasive of all the works here." SourcesAUCTION / Cyclic appeals of auctioneersBREATHING EQUIPMENT / Assisted breathing using aqualung, hospital respirator CATTLE HERDING / Male and female stockmen / Central Queensland CHILDBIRTH / Mothers' labour at the moment of birth CHILD IN BATH / Imitating aeroplanes, cars and ships DANCING / Tentative breathing while rehearsing a new work DEAFBLIND SIGNING / Spontaneous vocalisations while communicating in sign language DEFENCE FORCES / Parade calls, artillery drill, commando unit DIGGING A WELL / Hollering calls of a work chant / Bangladesh DOG OBEDIENCE SCHOOL / Short commands to animals; sounds of encouragement FIRST BREATH / Kane Myers and Honor Enright-Miller / Recorded by their fathers HEALING SOUNDS / Taoist healing sounds for lung, kidney, liver, heart and spleen HOTEL / Overheard adult laughter and play / Kings Cross MARKETPLACE / Intoned, rhythmic invitations to come and buy / Victoria Market MORNING PRAYERS / Holy man chanting Hindu mantras on the Ganges / Varanasi, India MOURNING / Woman mourning outside hospital / Kampot, Cambodia PAINTING A PORTRAIT / Sounds of thinking, gasps and laughter PROTEST / Students protest against uranium mining; Rally for Aboriginal land rights REHABILITATION HOSPITAL / Stroke patients and their therapists RENOVATING A KITCHEN / Sounds of thinking during heavy labour SHEEP MUSTER / Vocal signals and whistles to sheep dogs STREET CALLS / Calls from the streets of Brooklyn, Sydney and New Delhi STUDENT PARTY / Late-night shouts heard over the fence TIDAL WAVE DESCRIPTION / Survivors imitating the sound of the tsunami / Papua New Guinea YOGA / Slow meditative breathing and chanting Sports SourcesATHLETICS / Track & Field at Australian Institute of Sport (AIS)AUSTRALIAN FOOTBALL LEAGUE / Grand Final crowd, Essendon v Carlton BASEBALL / U/14's Grand Final BASKETBALL / Australian Institute of Sport (AIS) Women's and Men's teams BEACH VOLLEYBALL / Women's World Open, Italy v US at Melbourne Park CRICKET / International Ashes series, Sheffield Shield and suburban matches DRAGON BOAT RACING / Footscray Canoe Club on Maribyrnong River GRADE ONE THREE-LEGGED RACE / Caulfield South Primary sports day GYMNASTICS / Coach's calls / Australian Institute of Sport, Welsh Institute of Sport HOCKEY / Welsh Women's Hockey Team, Cardiff KICK BOXING / Fitzroy Stars Aboriginal Community Youth Club gym LAWN BOWLS / Doncaster Bowling Club NETBALL / AIS Netball team RUGBY LEAGUE / Sydney City Roosters in training: rob the nest, defence shuttle drill RODEO / Yeehah's from the crowd / Melbourne Park ROWING / AIS Women's Pairs, Women's 8s, Cox's calls RUGBY UNION / Australian schoolboy's state teams championships SKATEBOARDING / Teenage skateboarders SOCCER / U/12s, U/8 coach losing her voice, Falcons women's team SOCCER WORLD CUP QUALIFIER / Australia v Iran, 1997 TENNIS / Australian Open 1999 VOLLEYBALL / AIS Women's and Men's teams WATERPOLO / State selection trials for Victorian Women's team WEIGHTLIFTING / Kenyan call to give strength / Oceania team WRESTLING / Freestyle and Greco-Roman / Oceania team in training Song SourcesABORIGINAL / Children from Darlington Public School, SydneyARABIC / Highly ornamented melodic lines / Ghazi Nassouh BUDDHIST / Deep-voiced harmonic chanting / Dalai Lama's Guyto Monks of Tibet BULGARIAN / Exclamatory calls in song to a female leader hiding in the hills / Silvia Entcheva CAMBODIAN / Buddhist group chanting in village CHILEAN / Love songs with quivering vocalisations / Hernan Flores CHINESE / Call to lover on a nearby mountain / Dong Xiao-Meng DERVISH / Chanting / North Sudan GAELIC / Slow airs in the Sean-nós singing style / Maurice Scanlon GEORGIAN / Working songs, healing songs, rain call / Nino Tsitsishvili, Joseph Jordania GREEK ORTHODOX / Call and response from the Easter Service / Father Dimitropoulos INDIAN AND SRI LANKAN / Improvisations on traditional ragas / Narmatha Ravichandhira ISLAMIC / Melismatic call to prayer / Belal Assaad, Preston Mosque JEWISH / Song for Yom Kippur / Rabbi Lubofsky, St Kilda Synagogue KIRIBATI / Micronesian chant accompanying a war-like stick dance / Banaba Island MAORI / Menacing vocal display of the Haka / Michael Tuffery PAPUA NEW GUINEAN / Funeral song celebrating life / Olive Tau Davis RUSSIAN / Song asking the frost to spare the life of a man and his horse / Zulya Kamalova SLOVENIAN / Songs about separation and returning home / Dusan Kobal SOUTH AFRICAN / Joyful, rousing work chants / Valanga Khoza TARTAR / Love songs with birds, berries, nightingales and butterflies / Zulya Kamalova TUVALUAN / "Speech/song" of Polynesian calls to ancestors, challenge calls / Keleta Avene VIETNAMESE / Boat person's river chants / Dang Kim Hien WELSH / Song calling out the names of all that can be seen from the hilltop / Julie Murphy WEST AFRICAN / Fertility song, harvest workers' song / Epizo Bangoura Technical ProcessesThe recording process involved us travelling to over 100 varied locations to make unique recordings from everyday activities. It was important for us to capture each voice "close up" with as much proximity as possible. To achieve this we often used radio microphones which we attached to people involved in a wide a range of pursuits, such as athletes leaping high into the air during the high jump, soccer players weaving their way across a sports field or stroke patients at a rehabilitation hospital struggling as they re-learn how to walk.We digitised these large chunks of location recordings, for the painstaking process of isolating the short expressive vocalisations that we were looking for - vocalisations which often occur in-between the words (gasps, sighs, different weights of breath) and the involuntary vocalisations made as a result of physical action. We used a number of techniques to then further refine these short moments, isolating the individual voices from the often noisy and complex acoustic environments of the original recordings. It was important for us not to tamper with the original qualities of the voices for this is what makes them so compelling. We tried to remove only the extraneous sounds, to bring the listener right up close to the soundmakers, revealing an almost uncanny sense of clarity. The core of the delivery system is a Pentium III with an external Hard Drive where each of the 5000 individual vocalisations is stored as an individual sound file. Selected sound files can be instantly accessed and sent to particular loudspeakers to form part of the combination of "crowd events" at any particular time. The system is programmed to firstly select and then deliver particular groups of sound to the 80 loudspeakers discreetly distributed through the 4.5 hectare site. To help achieve this, 24 individual channels of cabling - totalling some 5 km - were built into the site. The system was designed in conjunction with Resonant Designs, the company involved in developing the specialist software. Krypton Audio Server [© Isotope] allows complex programming of the order and distribution of sound files. This combines with AutoMate [© Isotope] which allows programming of the delivery of the sound groups. Much of the programming occurred on site, where we made careful adjustments over several week-long periods while listening to our own developing real-time crowd of voices. | |
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Published by The University of Melbourne Comments, questions, corrections and additions: i.mott@unimelb.edu.au Prepared by: Acknowledgements Updated: 18 January 2007 http://www.sounddesign.unimelb.edu.au/web/biogs/P000465b.htm |