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Priestly, Carl

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Sound Designer, Installation Artist and Radio Artist
My practice employs sound design as a tool for composition integrating the ways in which sound is organized in three main areas; Sound design for cinema, Sound Art Installation and Radio Soundscapes.

This involves the creation of work that extends across performance, installed interactive sound environments and soundtrack for dance/theatre space. Using sound design as a compositional tool means that site-specific spatial characteristics play a major part in the developmental stages of a composition and how that space can be affected through the addition of my sound/composition.

 
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Work

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Structure based on ISAAR(CPF) - click here for an explanation of the fields.Prepared by: Iain Mott
Created: 30 April 2003
Modified: 6 August 2003

Published by The University of Melbourne
Comments, questions, corrections and additions: i.mott@unimelb.edu.au
Prepared by: Acknowledgements
Updated: 18 January 2007
http://www.sounddesign.unimelb.edu.au/web/biogs/P000370b.htm

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